Piano Sonata No. 14 in A minor, Op. 143, D784


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Performer's Reprints are produced in conjunction with the Die Sch ne M llerin: The Maid of.

Performer's Reprints Performer's Reprints are produced in Franz Schubert. Franz Schubert: a Biography. Clarity of outline, conciseness, and formal beauty are excellent things in musical works, but an Clarity of outline, conciseness, and formal beauty are excellent things in musical works, but an exquisite fancy, a noble imagination, and a lofty poetic spirit are of infinitely greater account; and no one ever possessed these inestimable gifts in greater This edition is a reprint of the This edition is a reprint of the Edition Peters version.

Haydn: Piano Sonata No.

Schubert: Piano Sonatas D. &

The whole first movement is a skeleton of a sonata-form allegro, with bare bones of harmony and rhythm instead of themes and melodies. There are none of the conventional, comforting ornamental surfaces of early 19th-century music to disguise the brutal changes from one key to another, or from one chromatic chord to the next. It's music that is deliberately stripped-down and essential, and there's nothing like it that I can think of by way of precedent.

It's even more severe in its textures and harmonic daring than any of Schubert's later sonatas.

Franz Schubert Piano Sonata in A Minor D 784

Indeed, this A minor sonata is such a shocking object, it forces you to look for clues as to what might have forced the composer to confront and create its blasted emotional terrain. Schubert was very sick, having contracted the syphilis that inevitably was to effect the remainder of his life: his physical and mental health, and the music he was to compose.

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After the initial weeks of debilitating illness — including, it seems, the entire month of January — he took up his pen again in February, and wrote the three-movement piano sonata in A minor, D He was sick, living in his father's home, much in need of money, and shattered by what had happened to him. The first subject's half-note rhythm, with some dotted notes, is related to the first subject of the D sonata. The transition b.


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It contains the same downbeat accentuation, although the abrupt breaking off on a short note is not encountered until the subject begins to break into distinct registers at b. The development section b.

Schubert: Piano Sonata in A, D.959; Piano Sonata in A Minor, D.784

The key oscillates between the submediant F major, the key of the Andante , and the subdominant D minor, which has previously appeared at b. Hatten notes that, in comparison to the "heroic" and "willful" transition in the exposition, the recapitulation's transition b.

A coda concludes the movement at b. Leo Black has commented that Schubert made use of the same rhythm of the song "An den Mond, in einer Herbstnacht" in this sonata's slow movement. From Wikipedia, the free encyclopedia.

Piano Sonata No. 14 in A minor, Op. 143, D784 Piano Sonata No. 14 in A minor, Op. 143, D784
Piano Sonata No. 14 in A minor, Op. 143, D784 Piano Sonata No. 14 in A minor, Op. 143, D784
Piano Sonata No. 14 in A minor, Op. 143, D784 Piano Sonata No. 14 in A minor, Op. 143, D784
Piano Sonata No. 14 in A minor, Op. 143, D784 Piano Sonata No. 14 in A minor, Op. 143, D784
Piano Sonata No. 14 in A minor, Op. 143, D784 Piano Sonata No. 14 in A minor, Op. 143, D784

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